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“Knocking around between money, sex, and boredom”: Walker Evans in Havana and New York

“Knocking around between money, sex, and boredom”: Walker Evans in Havana and New York

John Tagg, Distinguished Professor of Art History, Binghamton College, Condition College of recent You are able to

The title develops from a short memoir of his arrival in Havana compiled by Master Evans in This summer 1933, after coming back from the thirty-excursion to Cuba. Evans was recalling his first ending up in his guides, the Fernandez de Castro siblings, but his phrase encapsulates much about their own existence at the moment, raising issues almost always stored away on paper on Evans with an indisputable if difficult to focus regards to the knowledge of his photo taking work out of this period. Moving between Havana and New You are able to City, the lecture asks not only about the passage between work and biography, but about sex and work and what’s guaranteed within the refusal to discuss them when searching at photographs by Evans.


Born within the northeast of England and trained in the Royal College of Art working in london, John Tagg writes on types of photo taking practice not formerly considered area of the good reputation for photography, including police and prison photography, social surveillance, urban records, along with other archival systems where the photograph is built to function as a document. Came from here, his interests have extended towards the ways we construct histories of cultural technologies and visual regimes, and also to the theoretical debates which have transformed a brief history of art and photography because the 1970s. Tagg, the writer of “The Responsibility of Representation” (1988) and “The Disciplinary Frame” (2009), among other books, is spending the autumn semester at Yale because the Andrew Carnduff Ritchie visiting scholar.

The Andrew Carnduff Ritchie lecture series is jointly backed through the Yale Center for British Art and also the Yale College Gallery. The lectures were created recognition the memory of Andrew Carnduff Ritchie, director from the Gallery from 1957 to 1971.

Documented on location:

Yale Center for British Art

Lecture Hall

1080 Chapel Street

New Haven, CT 06510

Mellon Country Hotel

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